Toutes peintures ā l'huile d'CARRACCI, Annibale


ID Image Painting(From A to Z)    Details 
5924  
CARRACCI, Annibale, Assumption of the Virgin Mary dfg
 
 Assumption of the Virgin Mary dfg   1600-01 Oil on canvas, 245 x 155 cm Cerasi Chapel, Santa Maria del Popolo, Rome
5923  
CARRACCI, Annibale, Assumption of the Virgin sdf
 
 Assumption of the Virgin sdf   c. 1590 Oil on canvas, 130 x 97 cm Museo del Prado, Madrid
5935  
CARRACCI, Annibale, Atlante fgh
 
 Atlante fgh   Sanguine Mus??e du Louvre, Paris
66052  
CARRACCI, Annibale, Bacchantin, Detail
 
 Bacchantin, Detail   c. 1590 112 x 142 cm (44.09 x 55.91 in)
32275  
CARRACCI, Annibale, Butcher's Shop
 
 Butcher's Shop   1580s Oil on canvas, 185 x 266 cm
5936  
CARRACCI, Annibale, Ceiling fresco dfg
 
 Ceiling fresco dfg   1597-1602 Fresco Palazzo Farnese, Rome
5928  
CARRACCI, Annibale, Domine quo vadis df
 
 Domine quo vadis df   1601-02 Oil on panel, 77,4 x 56,3 cm National Gallery, London
32277  
CARRACCI, Annibale, Fishing
 
 Fishing   before 1595 Oil on canvas, 136 x 253 cm
5934  
CARRACCI, Annibale, Holy Women at the Tomb of Christ (detail) fg
 
 Holy Women at the Tomb of Christ (detail) fg   Oil on canvas The Hermitage, St. Petersburg
5940  
CARRACCI, Annibale, Homage to Diana ds
 
 Homage to Diana ds   1597-1602 Fresco Palazzo Farnese, Rome
5925  
CARRACCI, Annibale, Lamentation of Christ df
 
 Lamentation of Christ df   1606 Oil on canvas, 92,8 x 103,2 cm National Gallery, London
63838  
CARRACCI, Annibale, Madonna Enthroned with St Matthew
 
 Madonna Enthroned with St Matthew   1588 Oil on canvas, 384 x 255 cm Gem?ldegalerie, Dresden This painting of the type 'Sancta Conversazione' has great significance in the formation of the Baroque style. The participants of this conversition - beside St Matthew with his attribute of the reclining angel - are St Francis of Assisi and St John the Baptist. The painting is dated and signed as HANNIBAL CARRACTIUS BON F. MDLXXXVIII.Artist:CARRACCI, Annibale Title: Madonna Enthroned with St Matthew Painted in 1551-1600 , Italian - - painting : religious
5929  
CARRACCI, Annibale, Rest on Flight into Egypt ff
 
 Rest on Flight into Egypt ff   c. 1600 Oil on canvas, diameter 82,5 cm The Hermitage, St. Petersburg
5931  
CARRACCI, Annibale, Self-portrait dfg
 
 Self-portrait dfg   c. 1604 Oil on wood, 42 x 30 cm The Hermitage, St. Petersburg
5930  
CARRACCI, Annibale, Self-Portrait in Profile sdf
 
 Self-Portrait in Profile sdf   1590s Oil on canvas Galleria degli Uffizi, Florence
5927  
CARRACCI, Annibale, The Choice of Heracles sd
 
 The Choice of Heracles sd   c. 1596 Oil on canvas, 167 x 273 cm Museo Nazionale di Capodimonte, Naples
5941  
CARRACCI, Annibale, The Cyclops Polyphemus dfg
 
 The Cyclops Polyphemus dfg   1595-1605 Fresco Palazzo Farnese, Rome
5926  
CARRACCI, Annibale, The Flight into Egypt dsf
 
 The Flight into Egypt dsf   1603 Oil on canvas, 122 x 230 cm Galleria Doria-Pamphili, Rome
5937  
CARRACCI, Annibale, The Galleria Farnese cvdf
 
 The Galleria Farnese cvdf   1597-1602 Fresco Palazzo Farnese, Rome
51191  
CARRACCI, Annibale, The Laughing Youth
 
 The Laughing Youth   1583 Oil on paper Galleria Borghese, Rome Capturing a moment of laughter in painting is not an easy task,
5932  
CARRACCI, Annibale, The Martyrdom of St Stephen vcd
 
 The Martyrdom of St Stephen vcd   1603-04 Oil on canvas, 51 x 68 cm Mus??e du Louvre, Paris
32290  
CARRACCI, Annibale, The Virgin Appears to Sts Luke and Catherine
 
 The Virgin Appears to Sts Luke and Catherine   1592 Oil on canvas, 401 x 226 cm
63844  
CARRACCI, Annibale, Triptych
 
 Triptych   1604-05 Oil on copper and panel, 37 x 24 cm (central panel), 37 x 12 cm (each wing) Galleria Nazionale d'Arte Antica, Rome The central panel shows the Piet? while on the wings St Cecilia (left) and St Ermenegildus are represented. This small triptych originally belonged to Cardinal Odoardo Farnese, and the Farnese inventories document it as a work of Annibale Carracci as early as 1619. The attribution to Annibale was unquestioned until 1956 when, for stylistic reasons, the tabernacle was assigned to the Carracci workshop and given specifically to the hand of Innocenzo Tacconi. Despite this, the general conception of the work was attributed to Annibale on the basis of a drawing preserved at the Louvre (Paris). More recently, the documentary research has proven that the painting was commissioned directly from the artist by Cardinal Farnese sometime after 1603, the year in which he was obliged to renounce his claims to the succession to the English throne. Considering the importance of the commission, it seems difficult to argue against attribution to Carracci himself. The high quality of the Piet?and stylistic comparison of this central panel to Annibale's many other treatments of the subject lead to the assignment of this part of the execution to the master. It is, however, possible that Annibale allowed assistants (Innocenzo Tacconi or Antonio Carracci) to work on secondary panels, as these are slightly different in some of the details of execution.Artist:CARRACCI, Annibale Title: Triptych Painted in 1551-1600 , Italian - - painting : religious
63845  
CARRACCI, Annibale, Triptych
 
 Triptych   1604-05 Oil on copper and panel, 37 x 24 cm (closed) Galleria Nazionale d'Arte Antica, Rome The closed triptych represents St Michael the Archangel (left) and the Guardian Angel (right).Artist:CARRACCI, Annibale Title: Triptych Painted in 1551-1600 , Italian - - painting : religious
5933  
CARRACCI, Annibale, Triptych dsf
 
 Triptych dsf   1604-05 Oil on copper and panel, 37 x 24 cm (closed) Galleria Nazionale d'Arte Antica, Rome
5939  
CARRACCI, Annibale, Triumph of Bacchus and Ariadne (detail) dsg
 
 Triumph of Bacchus and Ariadne (detail) dsg   1595-1605 Fresco Palazzo Farnese, Rome
5938  
CARRACCI, Annibale, Triumph of Bacchus and Ariadne sdg
 
 Triumph of Bacchus and Ariadne sdg   1597-1602 Fresco Palazzo Farnese, Rome
32289  
CARRACCI, Annibale, Venus with a Satyr and Cupids
 
 Venus with a Satyr and Cupids   c. 1588 Oil on canvas, 112 x142 cm

CARRACCI, Annibale
Italian Baroque Era Painter, 1560-1609 Painter, draughtsman and printmaker, brother of Agostino Carracci. Since his lifetime, he has been considered one of the greatest Italian painters of his age. His masterpiece, the ceiling (1597-1601) of the Galleria Farnese, Rome, merges a vibrant naturalism with the formal language of classicism in a grand and monumental style.



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